"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm
"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm

After the Brexit referendum and before the withdrawal agreement was reached, Theresa May became leader of the Conservative party and Prime Minister of the UK. In attempting to unite views within a bitterly divided party, May’s speeches were often prefixed with the words ‘Let me be Clear’; she would then go on to make meaningless, or opaque statements as to her definition of the Brexit process. (Glass work fabricated by Paul Hickson)

"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm
"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm

After the Brexit referendum and before the withdrawal agreement was reached, Theresa May became leader of the Conservative party and Prime Minister of the UK. In attempting to unite views within a bitterly divided party, May’s speeches were often prefixed with the words ‘Let me be Clear’; she would then go on to make meaningless, or opaque statements as to her definition of the Brexit process. (Glass work fabricated by Paul Hickson)

"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm
"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm

After the Brexit referendum and before the withdrawal agreement was reached, Theresa May became leader of the Conservative party and Prime Minister of the UK. In attempting to unite views within a bitterly divided party, May’s speeches were often prefixed with the words ‘Let me be Clear’; she would then go on to make meaningless, or opaque statements as to her definition of the Brexit process. (Glass work fabricated by Paul Hickson)

“avin' a larf” (mixed media, 90 x 90 x 6 cm, illuminated)
“avin' a larf” (mixed media, 90 x 90 x 6 cm, illuminated)

152 nitrous oxide canisters found in the streets near the artist's home during 2017. nitrous oxide is a 'legal high' often associated with younger people whose spare time is assumed to be spent on 'street corners'.

 “The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)
“The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)

This work follows a visit to the site of Sachenhausen concentration camp in the State of Berlin. The work explores the implications from the prisoner’s perspective of the words 'ARBEIT MACHT FREI', which are written in the prison gates.

“I will be with you, whatever” **, (4 panels ea. 40 x 40 cm)
“I will be with you, whatever” **, (4 panels ea. 40 x 40 cm)

The work uses text elements from Tony Blair's 2002 memo to G W Bush written before the start of the second American war in Iraq to highlight the contrast between the appearance and meaning of the blandishments in this secret memo with the devastating outcomes of war.

TEQA1942.jpg
 “The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)
“The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)

This work follows a visit to the site of Sachenhausen concentration camp in the State of Berlin. The work explores the implications from the prisoner’s perspective of the words 'ARBEIT MACHT FREI', which are written in the prison gates.

"Psychodrama" ** (acrylic on canvas, 170 x 90 cm)
"Psychodrama" ** (acrylic on canvas, 170 x 90 cm)

The piece derives from events during 2017 around 'Brexit' and contains the text fragments 'Crush The Saboteurs', 'Enemies of the People' and 'Self-consumed malcontents', all of which have appeared on the front pages of the Daily Mail during 2016, '17.

 “The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)
“The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)

This work follows a visit to the site of Sachenhausen concentration camp in the State of Berlin. The work explores the implications from the prisoner’s perspective of the words 'ARBEIT MACHT FREI', which are written in the prison gates.

"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm
"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm
"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm
“avin' a larf” (mixed media, 90 x 90 x 6 cm, illuminated)
 “The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)
“I will be with you, whatever” **, (4 panels ea. 40 x 40 cm)
TEQA1942.jpg
 “The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)
"Psychodrama" ** (acrylic on canvas, 170 x 90 cm)
 “The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)
"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm

After the Brexit referendum and before the withdrawal agreement was reached, Theresa May became leader of the Conservative party and Prime Minister of the UK. In attempting to unite views within a bitterly divided party, May’s speeches were often prefixed with the words ‘Let me be Clear’; she would then go on to make meaningless, or opaque statements as to her definition of the Brexit process. (Glass work fabricated by Paul Hickson)

"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm

After the Brexit referendum and before the withdrawal agreement was reached, Theresa May became leader of the Conservative party and Prime Minister of the UK. In attempting to unite views within a bitterly divided party, May’s speeches were often prefixed with the words ‘Let me be Clear’; she would then go on to make meaningless, or opaque statements as to her definition of the Brexit process. (Glass work fabricated by Paul Hickson)

"Let me Be Clear" Etched glass, mirror, light : 123cm x 33cm

After the Brexit referendum and before the withdrawal agreement was reached, Theresa May became leader of the Conservative party and Prime Minister of the UK. In attempting to unite views within a bitterly divided party, May’s speeches were often prefixed with the words ‘Let me be Clear’; she would then go on to make meaningless, or opaque statements as to her definition of the Brexit process. (Glass work fabricated by Paul Hickson)

“avin' a larf” (mixed media, 90 x 90 x 6 cm, illuminated)

152 nitrous oxide canisters found in the streets near the artist's home during 2017. nitrous oxide is a 'legal high' often associated with younger people whose spare time is assumed to be spent on 'street corners'.

“The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)

This work follows a visit to the site of Sachenhausen concentration camp in the State of Berlin. The work explores the implications from the prisoner’s perspective of the words 'ARBEIT MACHT FREI', which are written in the prison gates.

“I will be with you, whatever” **, (4 panels ea. 40 x 40 cm)

The work uses text elements from Tony Blair's 2002 memo to G W Bush written before the start of the second American war in Iraq to highlight the contrast between the appearance and meaning of the blandishments in this secret memo with the devastating outcomes of war.

“The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)

This work follows a visit to the site of Sachenhausen concentration camp in the State of Berlin. The work explores the implications from the prisoner’s perspective of the words 'ARBEIT MACHT FREI', which are written in the prison gates.

"Psychodrama" ** (acrylic on canvas, 170 x 90 cm)

The piece derives from events during 2017 around 'Brexit' and contains the text fragments 'Crush The Saboteurs', 'Enemies of the People' and 'Self-consumed malcontents', all of which have appeared on the front pages of the Daily Mail during 2016, '17.

“The Prisoner's View” **, (acrylic on canvas, ea. 80 x 50 cm)

This work follows a visit to the site of Sachenhausen concentration camp in the State of Berlin. The work explores the implications from the prisoner’s perspective of the words 'ARBEIT MACHT FREI', which are written in the prison gates.

show thumbnails